George Hendrik Breitner (12 September 1857 – 5 June 1923) was a Dutch painter and photographer. An important figure in Amsterdam Impressionism, he is noted especially for his paintings of street scenes and harbours in a realistic style. He painted en plein air, and became interested in photography as a means of documenting street life and atmospheric effects – rainy weather in particular – as reference materials for his paintings. From 1876–1880 he attended the Art Academy in The Hague where his extraordinary talent was rewarded on various occasions.
During 1880–1881 he worked at the famous Panorama Mesdag together with Hendrik Mesdag, S. Mesdag-van Houten, Theophile de Bock and Barend Blommers. In 1882 he met and worked together with Vincent van Gogh, with whom he often went sketching in the poorer areas of The Hague. Breitner preferred working-class models: labourers, servant girls and people from the lower class districts. Interest in the lot of the common people, which many artists felt in that period, was nurtured by the social conscience of French writers such as Émile Zola.
Breitner was associated with the Dutch literary group known as the Tachtigers. This was a group that championed impressionism and naturalism against romanticism, influencing other painters such as Isaac Israëls, Willem Witsen, and poets like Willem Kloos.
In 1886, he entered the Rijksakademie of Amsterdam, but soon it became clear that Breitner was far beyond the level of education offered there.
Breitner saw himself as "le peintre du peuple", the people's painter. He was the painter of city views par excellence: wooden foundation piles by the harbour, demolition work and construction sites in the old centre, horse trams on the Dam, or canals in the rain. With his bold brush strokes, he captured the dynamic street life.
This painting is typical for the oeuvre of Breitner. He shows us a horse-drawn cart crossing the Nieuwe Brug with the Damrak beyond. He used mostly earth tones, but accentuates it with red and yellow. These accents direct the eye of the beholder to the people crossing the bridge on this typical rainy day in Amsterdam.
J. ten Kate, ‘Breitner: schilder van het volk’, in: Origine, 2, 2003, p. 100. Onno Maurer, Gerdy Seegers (o.a.), Jongkind Tot Van Der Leck De Passie Van Een Collectioneur Collectie Kamerbeek, 2007, pp. 94-95, no. 24.
with Kunsthandel E.J. van Wisselingh, Amsterdam, 1913, no. 3176, as: Damrak, vrachtwagen; Mr. P. van Herwijnen, The Hague, 1913; with Kunsthandel E.J. van Wisselingh, Amsterdam, 1918, no. 3693, as: Damrak, vrachtwagen; Mr. Theo Stokvis, by 1918; with Kunsthandel E.J. van Wisselingh, Amsterdam, 1919, no. 4880, as: Damrak, vrachtwagen; Mrs. J. Scholten van Heek, Enschede, 1919; Anonymous sale; Christie's, Amsterdam, 26 October 1999, lot 242; with Kunsthandel Simonis & Buunk, Ede; The Former Kamerbeek Collection Sale Christie’s Amsterdam 2017, lot 69.